Why Dell Is Bullish On Native Advertising And You Should Be, Too

Plus, 6 quick and dirty tips for native adver­tis­ing suc­cess.

Lisa Lacy By Lisa Lacy. Join the discussion » 0 comments

No mat­ter what you call it – spon­sored con­tent, native adver­tis­ing or brand jour­nal­ism – it is, at the least, a com­plex con­tent hybrid that rais­es ques­tions about where jour­nal­ism ends and adver­tis­ing begins. In the­o­ry, it’s a form of con­tent that can simul­ta­ne­ous­ly ben­e­fit brands, news orga­ni­za­tions, and con­sumers. But that’s when it’s done right. So what does that mean?


Pan­elists at the recent Ad Age con­fer­ence sat down to dis­cuss native adver­tis­ing in all its com­plex glo­ry, as well as what mar­keters need to know to har­ness it suc­cess­ful­ly.

I hate the term ‘native adver­tis­ing.’ I would like it to evolve,” said Stephanie Losee, man­ag­ing edi­tor at Dell. “I’m con­fused when I see spon­sored con­tent ver­sus spon­sor-gen­er­at­ed con­tent. Some­times it means the oppo­site and if I’m con­fused, I can’t imag­ine what con­sumers are feel­ing.”

And that’s com­ing from one of the New York Times’ inau­gur­al native adver­tis­ing part­ners, which has worked with the Times to cre­ate spon­sored con­tent like this.

It was a pret­ty dicey first engage­ment,” Losee said, cit­ing head­lines she wor­ried about like, “Dell brings down the Grey Lady.”

But “it went well,” she said.

We made care­ful, mod­est choic­es and tried to not be too flashy and did our con­tent as a ser­vice,” Losee said. “We com­mis­sioned jour­nal­ists to do good work, but on the busi­ness side.”

For his part, Jon Stein­berg, CEO of the Dai­ly Mail North Amer­i­ca, who goes as far as say­ing he invent­ed native adver­tis­ing at scale when he was at Buz­zFeed, adds that native adver­tis­ing is “just Inter­net adver­tis­ing that got more cre­ative and evolved. [And] just viewed through the lens of adver­tis­ing, it’s less con­tro­ver­sial.”

Why Dell Likes Native Advertising

By writ­ing arti­cles and mak­ing videos, Dell is try­ing to deep­en its rela­tion­ships with cus­tomers via social media.

Our point of view is when Dell is a pub­lish­er, Dell is com­mis­sion­ing arti­cles and mul­ti­me­dia con­tent about thought lead­er­ship on top­ics the audi­ence cares about, like cloud com­put­ing, big data and the future of work,” Losee said. “It’s con­tent as a ser­vice to our cus­tomers or poten­tial cus­tomers.”

In turn, Dell forges bet­ter rela­tion­ships with those cus­tomers than it would oth­er­wise.

70 per­cent of the cus­tomer jour­ney is con­duct­ed on Google now, so each of those pieces is like one rain­drop fill­ing the bar­rel of things they bump into out in the wild of the Inter­net before they get in con­tact with the brand,” Losee said.

And despite some lin­ger­ing con­fu­sion about what exact­ly native adver­tis­ing is, Losee and her fel­low pan­elists agree anoth­er advan­tage is that brand jour­nal­ism can some­times result in bet­ter con­tent because brand spon­sors have deep­er pock­ets than news orga­ni­za­tions.

Buz­zFeed does some of the best things I’ve ever seen,” Losee said. “They use the brand bud­get to make some­thing fab­u­lous. If you’re going to use a big bud­get to cre­ate some­thing a mag­a­zine or news­pa­per doesn’t have the bud­get to do and I want to click on it, then, yeah.”

What Does the Future Hold?

Thanks in part to these ben­e­fits, the pan­elists only expect to see more native con­tent.

In fact, accord­ing to Brent Poer, pres­i­dent of Liq­uidThread, the brand con­tent arm of Star­com Medi­avest Group, retail con­tent is going to be a big push.

It’s about how brands change the shop­ping expe­ri­ence on that last inch to pur­chase,” he said.

Shane Snow, chief cre­ative offi­cer at con­tent mar­ket­ing com­pa­ny Con­tent­ly, said to expect “a lot more fea­ture films and TV shows and high-qual­i­ty video con­tent like ‘The Lego Movie’,” which he calls “the best piece of brand­ed con­tent ever.”

For his part, Stein­berg said Snapchat Dis­cov­er is “way big­ger than any­one rec­og­nizes” and “brands and agen­cies are slow to buy because the data isn’t there,” but “it’s going to be huge, as big as Twit­ter.”

And, final­ly, Losee said, “I think the dis­tri­b­u­tion mod­el will blow up even more. Now the New York Times is cre­at­ing pieces that will live on brand sites.”

But no mat­ter where it goes in the future, what are these experts’ best tips on cre­at­ing native con­tent?

1. Don’t Be Evil

Make it clear that it is spon­sored con­tent.

I dare you to look at the things we’re pub­lish­ing and say they’re not jour­nal­ism,” Losee said. “It’s not sup­posed to be brand inves­tiga­tive jour­nal­ism. That’s messed up.”

Brands must “stay on the right side of good ver­sus evil,” she added. “It’s not brand-pull-a-fast-one jour­nal­ism.”

The lat­ter can only result in burn­ing bridges with con­sumers, which defeats the entire pur­pose, she said.

Fur­ther, Snow said, “If the con­sumer doesn’t know it came from you, it’s worth­less.”

2. Make It Good

And, accord­ing to Poer, as long as brands and news orga­ni­za­tions are deliv­er­ing con­tent of val­ue, “The con­sumer is blind to whether it is brand-spon­sored or brand-cre­at­ed.”

But first brands must “deliv­er some­thing [con­sumers] enjoy, which means you have to work hard­er at under­stand­ing who the con­sumer is and get­ting insights,” he said. “You have to build some­thing they want to engage with. Oth­er­wise, it’s just noise.”

And to Losee’s ear­li­er point, good con­tent is con­tent con­sumers will nat­u­ral­ly want to con­sume.

I hate the term ‘brand jour­nal­ism,’” Snow said. “There’s still a lot of con­sumer con­fu­sion, so you have to make it so good that peo­ple don’t care where it comes from. It’s about mak­ing it clear so every­one wins.”

3. Find The Right Partners

Accord­ing to Poer, when brands enter the native adver­tis­ing are­na for the first time, they are try­ing to fig­ure out their voic­es and tone, so they need to learn along with the right part­ners to find out what works for them.

4. Beware The Influencers

Influ­encers are huge and can dri­ve sales, but, Poer not­ed, it’s a space that can be hard to nav­i­gate because of tal­ent issues and “new media divas.”

In addi­tion, brands must also be will­ing to relin­quish some con­trol and “let your hands go off of it” when they work with influ­encers.

5. Know The Regulations

Poer also said there are reg­u­la­to­ry issues tied to native con­tent, so brands must make sure they know what they are doing and that they under­stand the impli­ca­tions of their actions and what poten­tial con­se­quences can arise if they vio­late FTC reg­u­la­tions.

6. Agencies In Particular Should Take Note

The Dai­ly Mail is in the native adver­tis­ing busi­ness because, accord­ing to Stein­berg, “cre­ative agen­cies don’t want to do it. I keep wait­ing for cre­ative agen­cies to start want­i­ng to do some­thing oth­er than 30-sec­ond TV. That’s why you have upstarts like Liq­uidThread and us doing con­tent efforts because ulti­mate­ly media agen­cies decide what gets done. I think it’s a mas­sive oppor­tu­ni­ty for cre­ative agen­cies.”

Losee agrees Dell is eager to work with part­ners.

I can tes­ti­fy – we don’t want to do our­selves. We don’t want to build a pub­lish­ing oper­a­tion,” she said. “We want to hire a few edi­tors and then we want to use Con­tent­ly and Group SJR and we’re lean­ing pret­ty hard on pub­lish­er side. Brands want these enti­ties to hold their hands and do it right for them because they’re not built for this and if we can rely on agen­cies and can be more nimble…if we staff up, then we’re com­mit­ted and what if we made the wrong choic­es? We want oth­er peo­ple to cre­ate the capac­i­ty for us and then we’re able to piv­ot in the space.”


Do you agree with Del­l’s take on native adver­tis­ing?

Lisa Lacy

Written by Lisa Lacy

Lisa is a senior features writer for Inked. She also previously covered digital marketing for Incisive Media. Her background includes editorial positions at Dow Jones, the Financial Times, the Huffington Post, AOL, Amazon, Hearst, Martha Stewart Living and the Dian Fossey Gorilla Fund.

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